[2] Finished drawing for a ceiling for the front drawing room, 1769, thought to be as executed

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Robert and James Adam office drawings
- Town houses
  - London
    - Berkeley Square, number 15 (later number 38), London: designs for interior decoration for Robert Child, 1768-76 (19)
      - Alternative preliminary designs and finished drawings for a ceiling for the front drawing room, 1769 and 1776, thought to be as executed (4)

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Reference number

SM Adam volume 11/213

Purpose

[2] Finished drawing for a ceiling for the front drawing room, 1769, thought to be as executed

Aspect

Plan of a rectangular ceiling with a central figurative medallion encircled by Vitruvian scroll, calyx enclosed within wreaths, and arabesques, all within an x-shape arrangement of reed and ribbon, with a medallion at each corner, enclosed within festoons of Vitruvian scroll, and on each side is a segmental compartment containing a figurative lunette, with a frame of enclosed anthemia, and beyond each segmental compartment is a tablet containing arabesques and rosettes, and the whole is flanked by rectangular compartments containing enclosed rosettes and calyx within connected lozenges, alternating with arabesques

Scale

bar scale of 3/5 inch to 1 foot

Inscribed

Design of a Cieling for the Front Drawing Room at Robert Child Esqrs House in Berkeley Square

Signed and dated

1769
Robt Adam Architect 1769

Medium and dimensions

Pen and coloured washes including pink, verdigris and cerulean blue on laid paper (584 x 442)

Hand

Adam office hand, possibly Joseph Bonomi

Literature

Bolton, 1922, Volume II, Index p. 35
Harris, 2000, p. 43
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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