[12] Design for a mirror frame for an unknown room, 1764

Explore Collections

You are here: CollectionsOnline / [12] Design for a mirror frame for an unknown room, 1764

Browse

Robert and James Adam office drawings
- Town houses
  - London
    - Grosvenor Square, number 18 (later 19), London: executed and unexecuted designs for interior decoration for the 8th Earl of Thanet, 1764-66 (14)
      - Design for a mirror frame for an unknown room, 1764 (1)

Use of images and copyright
Enlarge this Image

Print this image in A4 view

Reference number

SM Adam volume 20/5

Purpose

[12] Design for a mirror frame for an unknown room, 1764

Aspect

Elevation of a rectangular mirror frame, ornamented with arabesques, rosettes, anthemia, festoons, calyx, terms, an apron composed of a shell, anthemia, and festoons, and surmounted by arabesques, acanthus leaves, rosettes, and anthemia

Scale

bar scale of 2 1/4 inches to 1 foot

Inscribed

Glass frame for The Earl of Thanet

Signed and dated

1764
1764

Medium and dimensions

Pen and pencil on laid paper (291 x 418)

Hand

Adam office hand, possibly James Adam

Literature

Bolton, 1922, Volume II, Index p. 39
Harris, 1963, Index p. 55
Harris, 2001, pp. 110, 346
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).