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The mirror frame in Adam volume 20/82 was placed above the chimneypiece; that in Adam volume 20/83 was designed for the two piers between the windows; the one in Adam volumes 20/84 and 20/85 was the largest - 9x10 feet - and was designed for the wall at the south end of the room.
Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.
Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).
Contents of Preliminary design, finished drawings and a record drawing for mirror frames with semicircular tops for the drawing room, as executed, 1772 (5)
- [11] Preliminary design for mirror frame with semicircular top for the drawing room, as executed, 1772
- [12] Finished drawing for mirror frame with semicircular top for the drawing room, as executed, 1772
- [13] Finished drawing for mirror frame with semicircular top for the drawing room, as executed, 1772
- [14] Finished drawing for mirror frame with semicircular top for the drawing room, as executed, 1772
- [15] Record drawing for mirror frame with semicircular top for the drawing room, as executed, 1772