[4] Preliminary design for a ceiling for the bow room, 1769

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Robert and James Adam office drawings
- Town houses
  - London
    - Piccadilly, number 79, (now 1 Stratton Street), London: designs for ceilings for the 11th Earl of Eglinton, 1769 (7)
      - Alternative preliminary design and record drawing for a ceiling for the bow room, 1769 (2)

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Reference number

SM Adam volume 8/95

Purpose

[4] Preliminary design for a ceiling for the bow room, 1769

Aspect

Rough plan of a rectangular ceiling, with a canted bow at one end, containing a segmental rosette, enclosed within a fan, and a border of Vitruvian scroll with foliage. This detail is shown to a larger scale on the right-hand side of the sheet. The central flat is ornamented with a central oval compartment, encircled by calyx, an oval frame, four enclosed rosettes, and serpentine ribbons and wreaths containing enclosed rosettes, oval medallions, and one roundel is overdrawn with a peltoid shield, and with a rosette enclosed within a wreath in each corner

Scale

not to scale

Inscribed

Lord Eglington (sic)and some measurements given

Signed and dated

1769
datable to 1769

Medium and dimensions

Pencil on laid paper (609 x 478)

Hand

Robert Adam

Watermark

fleur de lis within crowned cartouche

Literature

Bolton, 1922, Volume II, Index p. 51
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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