[3] Alternative finished drawing for a ceiling for the drawing room, 1770, as executed

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Robert and James Adam office drawings
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  - London
    - Sackville Street, number 29, London: executed design for the ceiling for the drawing room, for John Parker, 1770 (3)
      - Preliminary drawing and alternative finished drawings for a ceiling for the drawing room, 1770, drawing 3 as executed (3)

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Reference number

SM Adam volume 11/257

Purpose

[3] Alternative finished drawing for a ceiling for the drawing room, 1770, as executed

Aspect

Plan as Adam volume 13/90, but with small medallions replacing the enclosed rosettes, and without half animals in the flanking panels

Scale

bar scale of 3/4 inch to 1 foot

Inscribed

Cieling of the front Drawing room / at John Parker Esqrhouse in Sackville Street / Mr Parker (in pencil)

Signed and dated

1770
1770

Medium and dimensions

Pen, pencil and coloured washes including verdigris and pink within a single ruled border on laid paper (552 x 465)

Hand

Adam office hand, possibly Giuseppe Manocchi

Literature

Bolton, 1922, Volume II, Index p. 49
For full literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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