[1] Preliminary drawing for a ceiling for the drawing room, 1770

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Robert and James Adam office drawings
- Town houses
  - London
    - Sackville Street, number 29, London: executed design for the ceiling for the drawing room, for John Parker, 1770 (3)
      - Preliminary drawing and alternative finished drawings for a ceiling for the drawing room, 1770, drawing 3 as executed (3)

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Reference number

SM Adam volume 54/1/77

Purpose

[1] Preliminary drawing for a ceiling for the drawing room, 1770

Aspect

Plan of a rectangular ceiling containing a central rectangle bordered with guilloche. Inside the rectangle is a large oval, containing a small oval medallion containing an animal, outside which are arabesques. Framing the rectangle is a border with oval medallions in the centre of each side, flanked by arabesques and with enclosed rosettes in the corners

Scale

not to scale

Inscribed

Mr Parker Sackville Street expects some / things from [--------]

Signed and dated

1770
datable to 1770

Medium and dimensions

Pencil on laid paper (192 x 307)

Hand

Robert Adam

Verso

Plan of a house

Literature

For full literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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