[68] Preliminary design for the end of a terrace forming part of the forecourt to Cumberland House, 1787, unexecuted

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Robert and James Adam office drawings
- Town houses
  - London
    - Cumberland House, 86 Pall Mall, London: designs for the interior, and additions to the house for the Duke of Cumberland, August 1780 - January 1788 (69)
      - Designs for alterations to the house, and various gateways and screens (10)
        Preliminary designs for the end of a terrace forming part of the forecourt to Cumberland House, 1787-88, unexecuted (2)

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Reference number

SM Adam volume 2/125

Purpose

[68] Preliminary design for the end of a terrace forming part of the forecourt to Cumberland House, 1787, unexecuted

Aspect

Elevation of two alternative designs for the end of a terrace. One design has a large alcove flanked on either side by Corinthian pilasters, and surmounted by a pediment and acroteria. The other is bow-fronted, with a Corinthian portico, surmounted by a deep entablature, and roofed by a drum and dome, with a lion to the right and a unicorn to the left

Scale

not to scale

Inscribed

Sketch for the end of the Terrace at Cumbd House

Signed and dated

July 1787
5th July 1787

Medium and dimensions

Pen and sepia wash on laid paper (203 x 257)

Hand

Robert Adam

Literature

Bolton, 1922, Volume II, Index p. 44
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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