[61] Finished drawing for the layout of the house, with the intended alterations highlighted in pink, 1785, unexecuted

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Robert and James Adam office drawings
- Town houses
  - London
    - Cumberland House, 86 Pall Mall, London: designs for the interior, and additions to the house for the Duke of Cumberland, August 1780 - January 1788 (69)
      - Designs for alterations to the house, and various gateways and screens (10)
        Finished drawings for the layout of the house, with the intended alterations highlighted in pink, 1785, unexecuted (4)

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Reference number

SM Adam volume 49/14

Purpose

[61] Finished drawing for the layout of the house, with the intended alterations highlighted in pink, 1785, unexecuted

Aspect

Plan of the parlour (ground) storey, of a seven-bay house, with a three-bay wing, with a one-bay entrance porch, and a screen wall on the street, and containing service, public and reception rooms

Scale

bar scale of 1/10 inch to 1 foot

Inscribed

Cumberland House Pallmall [in the hand of William Adam] / Parlour Story / Card room / Musick (sic) room / Great Dining room / Supper room / Watercloset / Staircase / Porters Bed / Music Gallery above / Principal Stairs / Water Closet / Back Stairs / Lobby / Linen Closet / Court / Closet for Gmens Coats / Porters Bed / Ante room / Hall / Waiting room / Porters Hall / Parlour / Parlour / Porters Hall / Passage for chairs / Passage for chairs / Passage for servants and some dimensions given

Signed and dated

1785
Adelphi / 1785

Medium and dimensions

Pen, wash and pink wash on laid paper (488 x 444)

Hand

Adam office hand, possibly Robert Morison, with addition to title inscription in the hand of William Adam

Literature

Bolton, 1922, Volume II, Index p. 44
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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