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For the wall treatment of this room Adam designed grotesque panels, a motif that he had used regularly since the 1760s. Here, however, they are more flat and refined than earlier examples, being characteristic of the mature style of the Adam office.
According to Stillman the chimneypiece for this room, seen in Adam volume 49/18, is similar to that for the drawing room at Wynn House, 20 St James's Square (Adam volume 23/10) which also makes use of ornamental painted panels.
Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.
Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).
Contents of Preliminary designs and finished drawings for the walls for the third drawing room, 1780-85, unexecuted (5)
- [51] Preliminary design for the walls for the third drawing room, 1780-85, unexecuted
- [52] Finished drawing for the walls for the third drawing room, 1780-85, unexecuted
- [53] Finished drawing for the walls for the third drawing room, 1780-85, unexecuted
- [54] Preliminary design for the walls for the third drawing room, 1780-85, unexecuted
- [55] Finished drawing for the walls for the third drawing room, 1780-85, unexecuted