[40] Front elevation of stables (to Charles Street)

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Sir John Soane office drawings: the drawings of Sir John Soane and the office of Sir John Soane
- Town houses
  - London: No. 49 (formerly 44) Grosvenor Square: alterations for Robert Knight, 1801-2 and 1818-19 (47)
    - Contract drawings for new offices stables and coach house 1818-19 (11)

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Reference number

SM 8/2/19

Purpose

[40] Front elevation of stables (to Charles Street)

Aspect

Elevation of the proposed New Stables &c

Scale

bar scale of 1/4 inch to 1 foot

Inscribed

as above, Robert Knight Esq^{r^e} and N^o 4 / 12 July 1819 / Sam^{^{^{^l}}}Lake

Signed and dated

Lincolns Inn Fields / September 3^rd1818

Medium and dimensions

Pen, sepia, burnt umber and blue washes, shaded on wove paper (488 x 677)

Hand

The office Day Book for 3 September 1818 has an entry: 'Robert Knight Esq^re / Drawing out Plans and / Elevation and a section / of proposed new Building / Bailey / Foxhall' that is, George Bailey (1792-1860), pupil and assistant (August 1808 - January 1837) and Edward Foxhall (1793-1862), pupil and assistant November 1812 - January 1821

Notes

A symmetrical five bay, two storey building with a round arched central door, flanked by a round-headed window and, on either side, two- storey arches with Diocletian windows, one above the other. The eaves have Soane's characteristic T-shaped brick toothing.

Level

Drawing

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Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.
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