[33] Preliminary design for a fire screen, January 1782

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Robert and James Adam office drawings
- Town houses
  - London
    - Cumberland House, 86 Pall Mall, London: designs for the interior, and additions to the house for the Duke of Cumberland, August 1780 - January 1788 (69)
      - Designs for the interior decoration, including the great dining room, music room, eating room, drawing rooms and boudoir (59)
        Preliminary designs for a fire screen, January-February 1782 (4)

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Reference number

SM Adam volume 17/151

Purpose

[33] Preliminary design for a fire screen, January 1782

Aspect

Elevation of a pole for a fire screen, with a single turned leg, ornamented with guilloche, acanthus leaves, and fluting, with a pencil-drawn annotation to the right-hand side

Scale

full size

Inscribed

Duchess of Cumberland

Signed and dated

January 1782
Janry 1782

Medium and dimensions

Pencil, pen and Prussian blue wash on laid paper (404 x 638)

Hand

Adam office hand, possibly Robert Morison, with title inscription in the hand of Robert Adam

Literature

Bolton, 1922, Volume II, Index p. 44
Harris, 1963, Index p. 57
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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