[15] Record drawing for a carpet for the great dining room in an Etruscan style, presumed to have been executed, 1780

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Robert and James Adam office drawings
- Town houses
  - London
    - Cumberland House, 86 Pall Mall, London: designs for the interior, and additions to the house for the Duke of Cumberland, August 1780 - January 1788 (69)
      - Designs for the interior decoration, including the great dining room, music room, eating room, drawing rooms and boudoir (59)
        Preliminary design and record drawing for a carpet for the great dining room in an Etruscan style, presumed to have been executed, 1780 (2)

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Reference number

SM Adam volume 17/207

Purpose

[15] Record drawing for a carpet for the great dining room in an Etruscan style, presumed to have been executed, 1780

Aspect

Plan of a tripartite carpet, with an attached flier showing a hearth slab, and a central square compartment, and bordering rectangular compartments, divided by a band of scrolled hearts and a screens of two columns. The square contains a rosette encircled by bands of enclosed anthemia, tubular flowers, a wreath with poppy buds, and military trophies, flanked by bordering bands of anthemia, enclosed rosettes, and arabesques. The rectangles contain urns encircled by wreaths

Scale

bar scale 1/2 inch to 1 foot

Inscribed

Carpet for the Great Dining Room at Cumberland House / folding alteration (in pencil)

Signed and dated

October 1780
Adelphi / Oct 1780

Medium and dimensions

Pencil, pen and coloured washes including yellow ochre and black on laid paper (422 x 636)

Hand

Adam office hand, possibly Joseph Bonomi

Literature

Bolton, 1922, Volume II, Index p. 44
Harris, 1963, Index p. 57
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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