[8] Preliminary design for the chimneypiece in the great dining room in an Etruscan style, presumed to have been executed, 1780

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Robert and James Adam office drawings
- Town houses
  - London
    - Cumberland House, 86 Pall Mall, London: designs for the interior, and additions to the house for the Duke of Cumberland, August 1780 - January 1788 (69)
      - Designs for the interior decoration, including the great dining room, music room, eating room, drawing rooms and boudoir (59)
        Preliminary designs, a finished drawing, and working drawings for the chimneypiece in the great dining room in an Etruscan style, presumed to have been executed, 1780 (6)

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Reference number

SM Adam volume 23/185

Purpose

[8] Preliminary design for the chimneypiece in the great dining room in an Etruscan style, presumed to have been executed, 1780

Aspect

Rough elevation of a chimneypiece, with alternative drops of arabesques, anthemia, peltoid shields, urns, and tablets in the stiles, between Ionic pilasters ornamented with drops of calyx, and with a frieze of guilloche enclosing rosettes, and fluting enclosing flowers, with a figurative tablet, and one capital containing a circular medallion, and the other an oval medallion

Scale

to a scale

Inscribed

Cumberland House - G. Dining Room / see [ _ _ ] details p. 252-253 & see 148 (in pencil in the hand of Arthur Bolton)

Signed and dated

1780
datable to 1780

Medium and dimensions

Pencil on laid paper (333 x 245)

Hand

Robert Adam. Title inscription in the hands of Robert Adam and A.T. Bolton

Literature

Stillman, 1966, pp. 78, 95
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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