[2] Design 'No 1' for alterations to the drawing room floor, 22 May 1801

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Sir John Soane office drawings: the drawings of Sir John Soane and the office of Sir John Soane
- Town houses
  - London: 22 Dunraven Street (former New Norfolk Street), Westminster: alterations for John Hammet MP, 1801 (7)

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Reference number

SM volume 67/31

Purpose

[2] Design 'No 1' for alterations to the drawing room floor, 22 May 1801

Aspect

Plan of the Drawing Room Floor / with Alterations / Design N^o 1

Scale

bar scale of 1/6 inch to 1 foot

Inscribed

as above, Hammet Esq^r, labelled: Water / Closet, Lobby, Back Stairs, Ante Room, Best Staircase, 1^st Drawing Room / 28.0 by 26.6, 2^nd Drawing Room / 23.6 by 32.6

Signed and dated

22 May 1801
Lincolns Inn Fields May 22 1801

Medium and dimensions

Pen, sepia and light red washes, pricked for transfer with five ruled and sepia wash on wove paper (552 x 665)

Hand

Henry Hake Seward (1778 - 1848)
Pupil and assistant May 1794 - September 1808.

Watermark

WL 1794

Notes

This design for the first floor, corresponding to drawing number [1] of the ground floor, shows the two bowed projections to the rear of the house, both of which have three windows.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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