Explore Collections Explore The Collections
You are here: CollectionsOnline  /  [1] Perspective design

Browse

  • image SM 3/1/1

Reference number

SM 3/1/1

Purpose

[1] Perspective design

Aspect

Perspective of 3-by-3-bay house

Inscribed

James King Esqre

Signed and dated

  • 01/02/1805
    Lincolns Inn Fields Feby 1: 1805

Medium and dimensions

Pen, sepia, blue and green washes with muti-ruled and sepia wash border, on wove paper (357 x 534)

Hand

Henry Hake Seward (1778 - 1848)
Pupil and assistant May 1794 - September 1808. The Soane office Day Book entry for 1 February 1805 has Malton and Seward as 'Drawing Plan & Perspective View of a new House' for James King.
Charles Malton (1788)
Pupil February 1802 - December 1809.

Watermark

J Whatman 1804

Notes

A neat design with the bays emphasised by plain pilasters. The entrance porch, pedimented and with a Tuscan order, seems rather congested.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).