[6] Finished drawing for a mirror frame between the doors in the drawing room, 1776, unexecuted

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Robert and James Adam office drawings
- Town houses
  - London
    - Dover Street, number unknown, London: unexecuted designs for interior decoration for Dr Richard Warren, 1775-76 (8)
      - Alternative design and finished drawing for a mirror frame between the doors in the drawing room, 1776, unexecuted (2)

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Reference number

SM Adam volume 20/155

Purpose

[6] Finished drawing for a mirror frame between the doors in the drawing room, 1776, unexecuted

Aspect

Elevation of a tripartite mirror frame, articulated by narrow terms, ornamented with drops of calyx, and with the central portion of the top rail being higher than the portions flanking it, containing a fan composed of calyx, and surmounted by winged sphinxes flanking a medallion and naturalistic anthemion

Scale

bar scale of 1 1/2 inches to 1 foot

Inscribed

Glass frame between Doors in Doctor Warrens Drawing room

Signed and dated

1776
Adelphi / June 1776

Medium and dimensions

Pen, pencil, wash and coloured washes including Indian yellow on laid paper (290 x 406)

Hand

Adam office hand, possibly Joseph Bonomi

Watermark

JWHATMAN

Literature

Bolton, 1922, Volume II, Index p. 58
Harris, 1963, Index p. 59
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).