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  • image SM 40/3/27

Reference number

SM 40/3/27

Purpose

[31] Design for turning the new library into the eating room

Aspect

Plan and perspective of a Design for making the present Library the Eating Room

Scale

plan to a scale

Inscribed

as above, Robert Knight Esqre, Eating Room, Recess (3 times), Side Table

Signed and dated

  • 01/05/1805
    Lincolns Inn Fields May 1st 1805

Medium and dimensions

(plan) sepia wash and light red wash, (perspective) brown madder, yellow, burnt umber and blue washes with multi-ruled and triple ruled border on wove paper with one fold mark and one old repair (685 x 482)

Hand

The office Day Book for 1 May 1805 has an entry '... making sketches ... Seward', that is, Henry Hake Seward (1778-1848), pupil and assistant May 1794 - September 1808
Henry Hake Seward (1778-1848), pupil and assistant May 1794 - September 1808

Notes

It seems that the new library was built, and from the three walls shown in the perspective, closer in design to drawing [27] rather than [25] and [26]. With shelves and books removed and with the introduction of colour, the arcaded treatment of the walls is more marked.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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