[5] Finished drawing for stables, c1763, unexecuted

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Robert and James Adam office drawings
- Country houses
  - Kimbolton Castle, Huntingdon, Cambridgeshire: designs for the house and park for George Montagu, 4th Duke of Manchester, 1763-71 (22)
    - Designs for the stables, domestic offices, orangery and menagerie, gatehouses, and dairy (18)
      - Preliminary design and finished drawings for stables, c1763, unexecuted (5)

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Reference number

SM Adam volume 30/136

Purpose

[5] Finished drawing for stables, c1763, unexecuted

Aspect

Plan of the ground floor of a seven- by five-bay building arranged around a courtyard, with a stepped rear range, a carriage entrance, with stabling, and various sheds and coachhouses

Scale

bar scale of 1/4 inch to 1 foot

Inscribed

Plan of the Ground Story of the Stable Office for His Grace The Duke of Manchester at Kimbolton / Room for Boiling Horses Meals / Shed for Carts / Smith's Forge / Nicessary / Nicessary / Coach House / Coach House / Stables / Court / Stables / Stables / Passage / Stables and dimensions given

Signed and dated

c1763
datable to c1763

Medium and dimensions

Pen and wash on laid paper (577 x 502)

Hand

Adam office hand, possibly, Agostino Brunias, Agostino Scara, or Benedetto Napoletano

Literature

Bolton, 1922, Volume II, Index p. 20
King, 2001, Volume II, p. 189
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).