[2] Record drawing for a ceiling for the great dining room, as executed, August 1780

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Robert and James Adam office drawings
- Town houses
  - London
    - Cumberland House, 86 Pall Mall, London: designs for the interior, and additions to the house for the Duke of Cumberland, August 1780 - January 1788 (69)
      - Designs for the interior decoration, including the great dining room, music room, eating room, drawing rooms and boudoir (59)
        Preliminary design, finished drawing and record drawings for ceiling and walls for the great dining room, ceiling as executed, and walls presumed to have been executed, August 1780 (5)

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Reference number

SM Adam volume 14/79

Purpose

[2] Record drawing for a ceiling for the great dining room, as executed, August 1780

Aspect

Plan of a rectangular, tripartite ceiling, with a central rectangular compartment containing a central medallion encircled by a fan, festoons, sphinxes, a band of guilloche, oval medallions, and with a band of anthemia, and enclosed rosettes to either side. The two bordering compartments are each divided by a screen of two columns, and contain medallions enclosed by wreaths, rosettes within lozenges, arabesques and anthemia

Scale

bar scale of 1/2 inch to 1 foot

Inscribed

Cieling for the Great Dining room at Cumberland House

Signed and dated

03-08-1780
3d August 1780

Medium and dimensions

Pencil, pen and coloured washes including yellow ochre and black on laid paper (425 x 624)

Hand

Adam office hand, possibly Joseph Bonomi, with title inscription in the hand of Robert Adam

Literature

Bolton, 1922, Volume II, Index p. 44
Stillman, 1966, pp. 78, 106
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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