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Reference number

SM 35/3/47

Purpose

[26] Revised design for saloon

Aspect

Plan of part of principal flooor with the alterations as settled with Mr Thomson April 29th 1805

Scale

bar scale of 1/3 inch to 1 foot

Inscribed

as above, John Thomson Esqre Roehampton, This Staircase / to be of Wood / -not to be continuous / to the Basement / Storey, This door / to be splayed / & finised flush / next the Room, Passage. Water Closet, No Alteration in the / Room nor in the / Room Above, This Staircae / to be one of the / old wood, Side Table, Cieling / The floor of this room to be / raised 1 foot 6 inches, The dinner to be served / from this Staircase and some dimensions given.

Signed and dated

  • 29/04/1805
    Lincolns Inn Fields April 30th 1805

Medium and dimensions

Pen and sepia washes on wove paper (565 x 997)

Hand

Charles Malton (1788)
Pupil February 1802 - December 1809. The office Day Book for 29 April, 1805 has an entry for Mr Thompson: Mr Soane took to him in P.Sq. / a fair Plan of the Saloon / Drawing & Eating Rooms with / external / elevation of Do ... unsigned it does not give the name of the draughtsman.

Notes

Close to the plan of drawing [25] except that either side of the window to the saloon has a small cove. The drawing and eating rooms were left unchanged from their original form except for the raising of the floor in the latter room

NB there is no photographic image of drawing [25].

Level

Drawing

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Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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