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  • image SM Adam volume 49/4

Reference number

SM Adam volume 49/4


[23] Full size working drawing for the ornamental panels of a pianoforte case for Queen Charlotte, 1780, probably unexecuted


Plan of a detail of a panel, with a rectangular compartment carried by half putti, and with an enclosed badge of the Prince of Wales, and surmounted by an urn, putti and sphinx, to one side is an elaborate tripod ornamented with ram masks, enclosed rosettes, strigillation and surmounted by an urn. Beyond this is a vesica-shaped motif encircled by a wreath, and surmounted by a badge of the Prince of Wales


full size


Design for the Queens Piano Forte

Signed and dated

  • June 1780
    Adelphi / 26t June 1780

Medium and dimensions

Pen and coloured washes including pink on laid paper (857 x 575)


Adam office hand, possibly Joseph Bonomi


Bolton, 1922, Volume II, Index p. 35
Harris, 1963, p. 54
King, 2001, Volume II, p. 275
For a full list of literature references see scheme notes.



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Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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