[22] Design for a window for the chapel, c1777-79, as executed

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Robert and James Adam office drawings
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  - Alnwick Castle, Northumberland: designs for interior decoration and buildings in the park for the 1st Duke of Northumberland, 1769-83 (36)
    - Design for a window for the chapel, c1777-79, as executed (1)

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Reference number

SM Adam volume 39/18

Purpose

[22] Design for a window for the chapel, c1777-79, as executed

Aspect

Half-drawn elevation of a pointed arched window, ornamented with arched, tear-, heart- and vesica-shaped compartments; and ornamented with quatrefoils, lozenges, trefoils, calyx, rosettes and fans

Scale

bar scale of 1 ½ inches to 1 foot

Inscribed

Castle of Alnwick Chapel / Duke of Northumberland (in the hand of William Adam)

Signed and dated

1777-79
datable to c1777-79

Medium and dimensions

Pen, pencil and coloured washes including pink and cerulean blue on laid paper (551 x 754)

Hand

Adam office hand, possibly Joseph Bonomi, with addition to title inscription in the hand of William Adam

Watermark

JWHATMAN

Literature

Bolton, 1922, Volume II, Index p. 1
Harris, 2001, pp. 90, 344
King, 2001, Volume I, p. 262
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).