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  • image SM 39/1/65

Reference number

SM 39/1/65


[3] Design for alterations and additions


Plan of the Drawing Room Floor / with proposed alterations with rough elevations of two windows


to a scale


as above, (mostly inscribed by Soane) labelled A B C D, door removed, Removed & / work made / good, large door,remove / chimney / & make / all good, Window / enlarged, This bow / is to be continued to the Garret floor, Chamber over / this room / --- -- Garret / in the Roof and notes: Best Staircase / a quarter space to be made / at B / The steps under at B to be / replaced by those those at C / The Landing on this floor / to be made as wide as / the doorway at D will / permit, details labelled: (?) present / width / of stair, The plaistering / & other works / to be made good / in every -----

Signed and dated

  • 26/06/1803
    Lincolns Inn Fields / June 26th 1803

Medium and dimensions

Pen, sepia and red washes, pricked for transfer on laid paper (684 x 559)


Added notes by Soane. The rest is by a Soane office hand (no Day Book)


The notes are in Soane's hand; 'to be made good' is still a term used by architects and builders.



Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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