[11] Design for a chimneypiece for the library, c1769, as executed

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Robert and James Adam office drawings
- Country houses
  - Alnwick Castle, Northumberland: designs for interior decoration and buildings in the park for the 1st Duke of Northumberland, 1769-83 (36)
    - Alternative preliminary design, designs and finished drawing for the chimney wall and chimneypiece for the library, 1769-70, Adam volumes 39/11 and 22/54 as executed (4)

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Reference number

SM Adam volume 39/11

Purpose

[11] Design for a chimneypiece for the library, c1769, as executed

Aspect

Elevation of a chimneypiece, with narrow paired pilaster stiles, a pointed arched lining, a plain frieze, and surmounted by a mantel clock

Scale

bar scale of 2 inches to 1 foot

Inscribed

Chimney for Alnwick Castle the Seat of the Duke of Northumberland (in the hand of William Adam)

Signed and dated

1769
datable to c1769

Medium and dimensions

Pen and pencil on laid paper (497 x 521)

Hand

Adam office hand, possibly William Hamilton or Joseph Bonomi, with title inscription in the hand of William Adam

Watermark

PVL

Literature

Bolton, 1922, Volume II, Index p. 1
Harris, 2001, pp. 89, 343
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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