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  • image SM 56/5/1

Reference number

SM 56/5/1

Purpose

[4] Survey plan of Burrows Lodge

Aspect

Plan of the Principal Floor of Burrows Lodge Swansea

Scale

bar scale of ? inch to 1 foot (in pencil)

Inscribed

As above, labelled Porch, Dining Parlour, Entrance / Hall / Paved with / Stone, Servants Room, Butlers Pantry, Servants Sleeping / Room, Breakfast Room, Bookcase, Principal / Staircase / Paved with / Stone, Blank Door, Drawing Room, (Drawing ---- (illegible) One Pair / over this Room / 11.10 high 23.4 15.8), Bookcase (twice), Staircase, Lobby, Water Closet, Step, Landing, Steps, Upper Part of / Dairy, Wall, Dwarf Wall (3 times), Office Court, Roof of Low Building (twice), Roof of Dairy, Lawn (twice), Area with Iron Grating / over, Area with / Iron Grating, Principal Floor 11.10 high, Note. The parts tinted Red / have been occupied as / a distinct dwelling and dimensions given

Signed and dated

  • 21st August 1826

Medium and dimensions

Pen, sepia and grey washes, pricked for transfer on laid paper with three fold marks (474 x 583)

Hand

George Bailey (1792-1860, pupil then assistant 1806-37, curator 1837-60)

Watermark

C Ansell 1818 fleur-de-lis above shield with diagonal bar and below, ornate CA

Notes

The 'parts tinted red' referred to in the note on this drawing encompass the two rooms, lobby and water closet at the top right hand corner of the building on the plan. Access to these rooms was via the steps and landing to the rear of the 'office court'. The rear of the building has a central bow-window, whilst a geometrical staircase with a curtail step on an elliptical plan occupies the centre of the property.

The house measures approximately 51 feet across the front and 83 feet from front to back.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.


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