[1] Rough survey plan of Burrows Lodge

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Sir John Soane office drawings: the drawings of Sir John Soane and the office of Sir John Soane
- Bank of England
  - The Bank of England Branch Banks, 1826-1831 (353)
    - Swansea, Glamorganshire: Bank of England branch, Burrows Lodge and the Old Bank, Temple Street: survey plans, elevations with proposed alterations, and related documents 1826-1832 (20)

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Reference number

SM 56/5/3

Purpose

[1] Rough survey plan of Burrows Lodge

Aspect

Plan of the Basement

Scale

bar scale of ? inch to 1 foot

Inscribed

As above, labelled: No Cellar under / this Part, Kitchen, Range, Oven, Hotplate, Arched Passage, Covered Area, Open Area (twice), Ser^t Hall, Wine Cellar / Arched, Passage, Scullery &^c, Oven, Door, Dairy, Steps up, Low Wall, Kitchen / Range, Dry Area, Cellar, Pantry?, Covered Area, verso: 70 Yards to Bound[ar]y of New / Walk / Road each side / 30 yds 1 building / 50 another / 9 Yd^s Road

Medium and dimensions

Pencil, shaded on wove paper with four fold marks (368 x 224)

Hand

George Bailey (1792-1860, pupil then assistant 1806-37, curator 1837-60)

Watermark

R Barnard 1825, crowned roundel

Notes

This drawing shows a rough initial survey plan of the property known as Burrows Lodge. It can be reasonably assumed that it was made on 21 August 1826, but only drawing 3 (SM 56/5/5) is dated.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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