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  • image SM 56/9/11

Reference number

SM 56/9/11

Purpose

[10] Survey drawing of cottages, November 1828

Aspect

Plan and section of cottages and block elevations of buildings behind the cottages beyond the bank and facing St John's Lane

Scale

bar scale of ? inch to 1 foot

Inscribed

As above,labelled: C D E G, Adjoining Buildings behind Cottages (twice), Line of Pavement C, Wall 8 ft high, Wall 12'.0" high, Plain Tile / roof over D, Section on the lines A.B. shewing / also new Brickwork of G.G. and / Iron railings and Iron ---- / height of floor, Line of Pavement C.C.C., Outlet D. / to Cottage pulled / down, roof over D; note: The part D. coloured blue I have learned was / formerly a Coach house or part of a Coach house / when the whole of Bank Premises was the Swan / Inn ^ it was then and is now a part of Bank Premises although over hung entirely by / the roof D.D. of adjoining old Building being entirely / over it there is a room in this part of the roof / it has no bearing but by the beam laid on / wall to E. Mr Hunt examined this place when / at Gloucester; plan labelled Closet (4 times), open / shed (4 times), The Lines F.F. the first steps / down to Cellars, Parallel line with Entrance Passage / as drawing sent and dimensions given

Medium and dimensions

Pen, sepia, pink, yellow, warm sepia and blue washes, pricked for transfer on thin wove paper with four fold marks (461 x 547)

Hand

J. Pepper, surveyor

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.


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