Scale
1/9 inch to 1 foot
Inscribed
Plan of the Attick Story / Plan of the Bed Chamber Story of Kiddleston House for Sir Nathaniel Curzon afterwards Lord Scarsdale (in the hand of William Adam) / Hay Loft / Corn Chamber / Hay Loft / Grooms room / Grooms room / Chapel continued / Roof over the Corridore / Servants B room / Brew house continued / Room / Passage / Stair / Laundry continued / Stair / Bed room / Bed room / Bed room / Bed room / Passage / Bed room / Bed room / Bed room / Bed room / Bed room / Roof over the Corridore / Mr Curzons Bed room / Nursery / Stair / Maids room / Passage / Anti chamber / Miss Curzon's Bed room / Room / Dining room / Dressing room / Bed Chamber / Bed Chamber / Passage / Bed Chamber / Bed Chamber / Dressing room / Garden Saloon continued / Hall continued / Passage / Bed Chamber / Dressing room / Great Stair continued / Bed Chamber / Passage / Closet / Closet / Back Stair / Bed Chamber / Dressing room / Bed Chamber and dimensions given (verso) 7 / Lord Scarsdale Sheddleton (sic) House
Signed and dated
Medium and dimensions
Pen, pencil and wash within a single ruled border on laid paper (1219 x 871)
Hand
Adam office hand, possibly Agostino Brunias, with title inscription in the hand of William Adam
Literature
Bolton, 1922, Volume II, Index p. 18
Harris, 1987, pp. 22-23
Harris, 2001, p. 336
For a full list of literature references see scheme notes.
Level
Drawing
Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation
Sir John Soane's collection includes some 30,000 architectural,
design and topographical drawings which is a very important resource for
scholars worldwide. His was the first architect’s collection to attempt to
preserve the best in design for the architectural profession in the future, and
it did so by assembling as exemplars surviving drawings by great Renaissance
masters and by the leading architects in Britain in the 17th and 18th centuries
and his near contemporaries such as Sir William Chambers, Robert Adam and
George Dance the Younger. These drawings sit side by side with 9,000 drawings
in Soane’s own hand or those of the pupils in his office, covering his early
work as a student, his time in Italy and the drawings produced in the course of
his architectural practice from 1780 until the 1830s.
Browse (via the vertical menu to the left) and search results for Drawings include a mixture of
Concise catalogue records – drawn from an outline list of the collection – and
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