[44] Design for the fishing room and boat house, 1769-70, executed

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Robert and James Adam office drawings
- Country houses
  - Kedleston Hall, Derbyshire: designs for landscape architecture, alterations to the house, and interior design for Sir Nathaniel Curzon, 5th Baronet (created Lord Scarsdale 1761), 1759-72 (149)
    - Designs for buildings within the park, including a boat house, garden hut, garden pavilion, stables, farm offices, greenhouse, viewing tower, bridge, gateway, milestone, pheasant house, parsonage house, farm house and inn
      - Preliminary designs and designs for the fishing room and boat house, 1769-70, executed (8)

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Reference number

SM Adam volume 40/45

Purpose

[44] Design for the fishing room and boat house, 1769-70, executed

Aspect

Plan of a room containing a semicircular cold bath, flanked on either side by staircases from the upper floor, and underneath which are a closet and water closet, and beyond are small inlets for boats with apsidal ends

Scale

bar scale of 1/3 inch to 1 foot

Inscribed

Plan of the Cold Bath and Boat Houses for Lord Scarsdale / at Kiddleston and dimensions given 10/158 Curzon [ _ _ _ _ ] (in feint pencil)

Signed and dated

1769-1770
date range: 1769-70

Medium and dimensions

Pen and pencil on laid paper (595 x 487)

Hand

Adam office hand, possibly Joseph Bonomi, with for Lord Scarsdale / at Kiddleston in the hand of William Adam

Watermark

PVL

Literature

Bolton, 1922, Volume II, Index p. 19
Harris, 1987, p. 83
King, 1991, Volume I, pp. 339-41
Musson, 1996, p. 42
Harris, 2006, pp. 24, 26
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).