[45] Design for the fishing room and boat house 1769-70, executed

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Robert and James Adam office drawings
- Country houses
  - Kedleston Hall, Derbyshire: designs for landscape architecture, alterations to the house, and interior design for Sir Nathaniel Curzon, 5th Baronet (created Lord Scarsdale 1761), 1759-72 (149)
    - Designs for buildings within the park, including a boat house, garden hut, garden pavilion, stables, farm offices, greenhouse, viewing tower, bridge, gateway, milestone, pheasant house, parsonage house, farm house and inn
      - Preliminary designs and designs for the fishing room and boat house, 1769-70, executed (8)

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Reference number

SM Adam volume 1/9

Purpose

[45] Design for the fishing room and boat house 1769-70, executed

Aspect

Elevation of a one-and-a-half storey, three-bay building, with a broken-bed pediment, with a central roundel and festoons, and supporting acroteria. On the ground floor the bays are articulated by Doric pilasters, with rectangular windows in the outer bays, with rectangular panels or medallions above, and a door in the central bay surmounted by a fan-light, and with pencil annotations and alterations (verso) rough drawing for a chimneypiece with Ionic pilaster stiles

Scale

to a scale

Signed and dated

1769-1770
date range: 1769-70

Medium and dimensions

Pen and pencil on laid paper (385 x 322)

Hand

Robert Adam

Literature

King, 1991, Volume I, pp. 339-41
Musson, 1996, p. 42
Harris, 2006, pp. 24, 26
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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