[5] Design for the chimneypiece for the saloon, c1769, thought to be as executed

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Robert and James Adam office drawings
- Country houses
  - Alnwick Castle, Northumberland: designs for interior decoration and buildings in the park for the 1st Duke of Northumberland, 1769-83 (36)
    - Design for the chimneypiece for the saloon, c1769, thought to be as executed (1)

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Reference number

SM Adam volume 22/50

Purpose

[5] Design for the chimneypiece for the saloon, c1769, thought to be as executed

Aspect

Elevation of a chimneypiece, with a pointed arched opening, and a fluted lining; flanked by heraldic roundels, and with stiles ornamented with Spalatro order pilasters, with scrolled hearts in the shafts, and with a narrow fluted and banded engaged column in front; and the frieze is ornamented with alternating anthemia and fans

Scale

bar scale of 2 inches to 1 foot

Inscribed

Design of a Chimney Piece for the Salon at Alnwick Castle

Signed and dated

1769
1769.

Medium and dimensions

Pen and wash on laid paper (448 x 354)

Hand

Adam office hand, possibly William Hamilton or Joseph Bonomi

Literature

Bolton, 1922, Volume II, Index p. 1
Harris, 2001, p. 343
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).