[3] Preliminary design for the interior of the saloon, c1769, thought to be as executed

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Robert and James Adam office drawings
- Country houses
  - Alnwick Castle, Northumberland: designs for interior decoration and buildings in the park for the 1st Duke of Northumberland, 1769-83 (36)
    - Alternative preliminary design and designs for the interior of the saloon, c1769, 27/36 and 39/16 thought to be as executed (3)

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Reference number

SM Adam volume 27/37

Purpose

[3] Preliminary design for the interior of the saloon, c1769, thought to be as executed

Aspect

Wall elevation showing a chimneypiece, with an ogee-shaped lining, surmounted by urns and a square, fluted overmantel frame, crowned by a lion and segmental moons(?). To the right-hand side are two rectangular panels containing coats of arms(?), flanking a rectangular portrait frame, with an apron of arabesques, and surmounted by arms and anthemia, and with a pattern of lozenges below the dado

Scale

to a scale

Signed and dated

1769
datable to c1769

Medium and dimensions

Pen and pencil on laid paper (443 x 404)

Hand

Robert Adam

Literature

Bolton, 1922, Volume II, Index p. 1
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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