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  • image SM 78/6/10
Drawing. SM 78/6/10. ©Sir John Soane's Museum, London. Photo: Ardon Bar-Hama

Reference number

SM 78/6/10

Purpose

[29] Design (office copy) for the east office court at Anniston House as executed, 1787

Aspect

Plan and elevation of a courtyard of offices attached to the east end of country house. A false colonnade screens a range of service stores connecting to a single-storey range containing a laundry and brewhouse. Adjoining the house to the north of the court is a pantry and scullery. The Courtyard is enclosed by a screen wall and gate to the north side

Scale

to a scale

Inscribed

Drawing of Offices, John Rait Esqr Anniston – J. Playfair Archt Copy / South Elevation of Offices at East End, labelled: Laundry, Wood Entablature, Wood Columns, Stone plinth, Extends 71 feet 2 Inches with dimensions given / Plan of Offices East End of House, labelled: Gateway, Pantry, Scullery, Pebble paving, Gravel, Pebble paving, Plain paving, Pump, Flatt paving, Brewhouse, 3 feet down, 1 foot down, Laundry, Mangle, window, Women, Gentlemen, Men, Coals – N.B. leave a flue here for a Bake house, Shoes and Knives, window, Dairy, Extends 21”2, Extends 47 feet

Signed and dated

  • May 1787
    May 1787

Medium and dimensions

Pen on wove paper (517x661)

Hand

Playfair, James (1755--1794) - Art collections

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.


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