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  • image SM 78/6/21
Drawing. SM 78/6/21. ©Sir John Soane's Museum, London. Photo: Ardon Bar-Hama

Reference number

SM 78/6/21

Purpose

[23] Design (office copy) for the lobby of Anniston House as executed, 1786

Aspect

Plan, internal elevations, and details of a country house lobby with an arched recess for a cloakroom. The plan shows connections off the lobby to the entrance portico, book room, drawing room, dining room and stairs. The room is ornamented with a plaster cornice, timber Doric pilasters, dado, and simple moulded architraves to all the openings. Profile details of the mouldings are shown on the drawing

Scale

to multiple scales

Inscribed

John Rait of Anniston Esqr, Drawings for Finishing the Lobby / Copy / Part of Wood Pilasters at large, Wall Line, Wood Impost at large to Hall. / Wood Cap at large to Pilasters / Plaster Cornice at large to Wall / Door Side of Lobby, labelled: Plaster, Plaster, Stucco, Wood, Woodbead, Woodbead, Window, Door, Door, Stucco, Wood with dimensions given / Side opposite the door, Drawing room door / Woo Plinth at Large. / Angle Bead. Wood. Round windows and Outer door / Plaster Architrave round, Semicircular Archway of Recess / Side elevation to book room, labelled: Plaster, Plaster, Plain Ceiling. Plaster Cornice and Fascia Stucco sides and Dado, Wood Pilasters. Impost and Skirting, Narrow Architraves Sections. 1½ inch deal fixed Sashes with Wood Angles bead round do. Recess for Hatts and Coats, Door to Study or Bookroom / Plan of the Lobby, labelled: Drawing room, Plaster Soffite, Recess for hats and Coats, Dining room, Plaster Soffite, Book room, Stairs, Windw, Portico, Window. / Architrave at large to Door

Signed and dated

  • June 1786
    J. Playfair Archt. London June 1786

Medium and dimensions

Pen and pencil with pink wash on laid paper (646x521)

Hand

Playfair, James (1755--1794) - Art collections

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.


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