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  • image SM 78/6/12
Drawing. SM 78/6/12. ©Sir John Soane's Museum, London. Photo: Ardon Bar-Hama

Reference number

SM 78/6/12

Purpose

[8] Design (office copy) for the attic storey of Anniston House as executed, 1785

Aspect

Rectangular plan of the second floor of a house with timber partition walls. To the right-hand side of the sheet are plans and a section of two rectangular side wings showing the arrangement of rafters. At the top of the sheet is a side elevation of the three-bay two-storey nursery wing with a Venetian window and sections of the attached courtyard buildings

Scale

to a scale

Inscribed

No.4 / Anniston House John Rait Esqr. Copy / Attic Story, labelled: Closett, The Height of the Ch is 3~5, The Height of the Chimney is 3~4¾, The Height of the Chy is 3~2, The Height of the Chy is 3~5½, The Height of the Chy is 3~3, Closett, Closett, with dimensions given / Ceiling floor, Nursery Wing / Roofing of Wings / Ceiling Floor, Kitchen Wing / Elevation of the West Wing / Nursery Window / Doorway to be left in the Wall / Doorway to be left in the Wall

Signed and dated

  • 1785
    Datable to 1785. The drawing has an office numbering which fits with other dated sheets in the collection.

Medium and dimensions

Pen with pink, brown, and blue wash on laid paper (521x656)

Hand

Playfair, James (1755--1794) - Art collections

Notes

The main plan is only labelled “Attic Story” without any specific room labels given.

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.


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