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  • image SM 78/6/13
Drawing. SM 78/6/13. ©Sir John Soane's Museum, London. Photo: Ardon Bar-Hama

Reference number

SM 78/6/13

Purpose

[7] Design (office copy) for the first floor plan of Anniston House as executed, 1785

Aspect

First floor plan of an H-plan house comprising a central block with lateral wings that form a shallow court to the entrance front. A side elevation of the four-bay two-storey kitchen wing, including sections of attached outbuildings, and a plan of its mezzanine story are also shown at the top of the sheet

Scale

bar scale of 2.5 inches to 10 feet

Inscribed

No. 3 / Anniston House John Rait Esqr Copy / Bedchamber Story, labelled: Closet for coals, The Height of the Chy is 3~5, The Height of the Chy is 3~4¾, The Height of the Chimney is 3~2, The Height of the Chy is 3~5½, The Height of the Chy is 3 feet 3, Closet for Brooms & Mops, Closet for Linnen, The Height of the Chy is 3~4½, The Height of the Chy is 3~4½, with dimensions given / Elevation of Kitchen Wing, labelled: outward door from the Stairs south door, Scullery, Scullery door, Chimney for a Boiler, Pantry Door to Kitchen, Pantry / Mzzonine Story / Store-room / Store-room

Signed and dated

  • 1785
    Datable to 1785. The drawing has an office numbering which fits with other dated sheets in the collection.

Medium and dimensions

Pen with pink, brown, and blue wash in laid paper (519x659)

Hand

Playfair, James (1755--1794) - Art collections

Notes

The main plan is only labelled “Bedchamber Story” without any specific room labels given.

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.


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