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  • image Image 1 for SM D2/8/18
  • image Image 2 for SM D2/8/18
  • image Image 1 for SM D2/8/18
  • image Image 2 for SM D2/8/18

Reference number

SM D2/8/18

Purpose

J. T. Parkinson (fl.1810-40s): Langdown House, near Hythe, Hampshire 1817

Aspect

[1] Front elevation as existing, and flier showing proposed design

Scale

1/10 in to 1 ft

Inscribed

Geoe Tate Esqre / Langdown, Present Elevation of Plan No1 and (flier) Elevation as proposed in Plan No1
Signed: J T Parkinson
Dated: March 1817

Signed and dated

  • 1817

Medium and dimensions

Pen, cream, burnt umber, Payne's gray and dark green washes, pencil on wove paper (260 x 370)

Hand

J. T. Parkinson

Notes

The elevation corresponds, more or less, to what is shown of the existing building in Dance's proposals for remodelling [SM D2/8/9]. The flier indicates Parkinson's conservative but seemly proposal to regularise the front so that the existing, old-fashioned link bay between the house and offices on the left is rebuilt to match the more up-to-date, two-storey wing on the right. He also adds a fluted Doric porch and balustraded roof parapet to the three-bay centre and a matching slate roof to replace the earlier tiled roof.

For George Dance's alternative designs for remodelling, c.1817 see Langdown House.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.


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