[62] Variant design K for a front elevation of three storeys, 13 March 1818

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Sir John Soane office drawings: the drawings of Sir John Soane and the office of Sir John Soane
- Bank of England
  - London: National Debt Redemption Office, Old Jewry, City of London: designs, working drawings and drawings for exhibition, 1817-18, 1819, 1823 (100)

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Reference number

SM 48/2/20

Purpose

[62] Variant design K for a front elevation of three storeys, 13 March 1818

Aspect

Front elevation and section of wall

Scale

bar scale of 3½ inches to 10 feet

Inscribed

vertical dimensions given

Signed and dated

13^thMarch 1818

Medium and dimensions

Pen, red pen,sepia and pink washes, pencil, shaded on wove paper, bottom right-hand corner missing (539 x 744)

Hand

by the same Soane office hand ? Henry Burges pupil 1817-1821 (Day Book 'Making Elevations' ...)

Notes

This drawing (design K) is close to design J (SM 48/2/3) except that the end bays (which were marked by plain, shallow pilasters on the earlier drawing) are here pedimented projections framed by pilasters with floreated capitals. The simple gauged brickwork to the window heads of previous designs has gone and the ground floor windows have an incised semicircle with a Greek fret stop to the window heads; a motif first found on SM 48/2/9. The side doors are pedimented with antefixae at the head and corners, and elongated brackets.

The storey heights (given on the section) are 14 feet 6 inches (ground floor), 13 feet 6 inches (first floor), 11 feet 6 inches (second floor) and with a roof space of 3 feet 6 inches. Red pen lines form a grid through the centres and springing lines of the windows.

Level

Drawing

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Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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