[59] Early alternative design for the Pitt Cenotaph,28 January 1818

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Sir John Soane office drawings: the drawings of Sir John Soane and the office of Sir John Soane
- Bank of England
  - London: National Debt Redemption Office, Old Jewry, City of London: designs, working drawings and drawings for exhibition, 1817-18, 1819, 1823 (100)

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Reference number

SM volume 60/176

Purpose

[59] Early alternative design for the Pitt Cenotaph,28 January 1818

Aspect

Perspectival sketch sections

Signed and dated

Jan^y28^th1818

Medium and dimensions

Pen, blue-grey and Indian red washes , shaded on wove paper (305 x 218) affixed at corners to p.152 of volume 60, numbered 177

Hand

Henry Parke 1790-1835) Day Book 'Making Views &c of / Mausoleum'

Notes

Soane's section, drawn in perspective, uses the two-storey with glass dome scheme (tribune form) that he drew out a few weeks before (18-20 December, SM 48/1/5, SM 48/1/3 and SM 48/1/6). With banded rustication, curtained window, panelled door and chimneypiece, this drawing gives a sense of place and differs at ground floor level to SM volume 60/177 as it is arcaded and has piers so that the emphasis is on round-headed arches, some of them blind.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).