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You are here: CollectionsOnline  /  [49] Alternative design by Soane for the ground floor plan related to positioning the Pitt Cenotaph, 25 January 1818
  • image SM 48/1/32

Reference number

SM 48/1/32

Purpose

[49] Alternative design by Soane for the ground floor plan related to positioning the Pitt Cenotaph, 25 January 1818

Aspect

Rough ground floor plans with a diagonal axis

Scale

bar scale of 2¼ inches to 10 feet

Inscribed

Strong Room, Mr H Rm, Strong C[loset], Closet, Public Hall, Counter, Lobby / or / Por[ch]

Signed and dated

  • Sunday 25 Jan 1818 and (Bailey) January 23d 1818

Medium and dimensions

rown pen, sepia wash, pencil on wove paper (704 x 535)

Hand

outline plans by George Bailey (1792-1860, pupil then assistant, 1806-37, curator 1837-60) with rough designs for new layouts by Soane

Notes

The outline site plans now include Mello & Pead's premises (left-hand side) which enlarges the site available to Soane by about one third. Encouraged by this and fired by his idea of a Cenotaph memorialising William Pitt the Younger, Soane re-cast the layout. This drawing shows a bolder design to that of SM 48/1/34 with the Cenotaph on a clear and more focused diagonal axis to the entrance now positioned on the corner of Old Jewry and Meeting House Court.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.


Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).