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You are here: CollectionsOnline  /  [37] Variant design (G) for the front elevation with a five-bay attic storey and second design for the side elevation to Meeting House Court, 25 November 1817
  • image SM 48/2/28

Reference number

SM 48/2/28

Purpose

[37] Variant design (G) for the front elevation with a five-bay attic storey and second design for the side elevation to Meeting House Court, 25 November 1817

Aspect

Elevation of the Front next the Old Jewry

Scale

bar scale of 3½ inches to 10 feet

Inscribed

as above

Signed and dated

  • Linolns Inn Fields / November 25th 1817

Medium and dimensions

Pen, sepia, raw umber, grey, pink, green and light blue washes, shaded with double ruled and sepia wash border on wove paper (612 x 819)

Watermark

J Whatman 1816

Notes

Close to the preceding design (F) except that some details have been subtracted: there is no rustication, the pilasters are without panels, the balustraded parapet over the three centre bays of the front elevation has gone, the window-heads have a simple flat ? rendered finish instead of splayed brickwork. As with design F the building's title - National Debt Redemption Office - is no longer inscribed on the building. Railings, which would always have been necessary, have been introduced. All-in-all design G gives an impression of cost-cutting.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

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Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.


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