Ashburnham Place, Sussex, 1813-14

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George Dance office drawings: the drawings of George Dance the Elder and George Dance the Younger
- Country Houses (31)
  - Ashburnham Place, Sussex, 1813-14 (193). Survey drawings, alternative designs, designs and working drawings for alterations and additions, including the modelling of the principal front, a new staircase and for a garden bridge, for 3rd Earl Ashburnham

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Reference number

SM D2/2/21

Purpose

Ashburnham Place, Sussex, 1813-14

Aspect

[125] Plan and profiles of column, and profile of pilaster base

Scale

full size

Inscribed

Capital of Columns, Ashburnham Place, Sussex, Plan of one Quarter of the Capital of Columns, Basemouldings of Columns and Pilasters, All these mouldings are drawn full size, For M^r Joseph Browne, Scagliolist and (verso, Dance) Ashburnham / Capital of Columns / in principal Staircase / Full size and (Browne?) Columns & Pilasters of the R^t Hon^ble Earl Ashburnham
Signed: GD Upper Gower Street
Dated: 5^th Jan^y 1814

Signed and dated

1813-14

Medium and dimensions

Pen, pencil, partly pricked for transfer on laid paper (570 x 865)

Hand

Dance

Watermark

D & C Blauw IV and D&CBxX and cartouche surmounted by fleur-de-lis

Notes

Dance has kept the Doric capital to its essentials so that above the slight concave sweep of the shaft are two grooves between fillets and above, the echinus and abacus. See [SM D2/5/14] for the related working drawing and note and see also a full-size detail for the capital of the Doric portico at Stratton Park, [SM D1/3/35].

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).