Scale
to a scale and Full Size
Inscribed
as above, A, B, The Parts AB are Marble / all the rest Portland / but do not get out the Marble without / further orders, Elevation . for Room over Porters Lodge, Plan / Room over Porters Lodge, Fine Stone Coving, Portland Slab, wall / line, Vein'd Mantle, Jambs, Slab, & Slips for Room over Gateway, Lothbury, Keep this Drawing clean & return it and some dimensions given (verso) Chimney Piece / Surveyors Office, Mr Nelson
Signed and dated
- Bank, October 31st. 1796.
Hand
Soane office
Notes
This drawing shows a chimney-piece designed for the room over the Porter's Lodge, above the gatehouse in the Lothbury Courtyard. It shows the materials to be used in the construction of the chimney-piece - labelled as marble and Portland stone. The drawing must have been made for Mr Nelson (as inscribed) - presumably James Nelson, a mason employed by Soane on various projects. The inscription notes 'do not get out the Marble without / further orders', which was evidently an instruction from Soane to Nelson. The detail shows projecting parts of the frame marked by a dotted lines under-lined with brown wash, which cut across the elevations so that the jambs labelled A and B are shown to be flat and curved respectively. The stepped panel of the outer jamb is also marked in this way. 'Slip' (referred to in an inscription) is a method of creating the sloping chimney flue. The smaller elelvations show the basic structure, while the detail additionally shows the finishings.
Level
Drawing
Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation
Sir John Soane's collection includes some 30,000 architectural,
design and topographical drawings which is a very important resource for
scholars worldwide. His was the first architect’s collection to attempt to
preserve the best in design for the architectural profession in the future, and
it did so by assembling as exemplars surviving drawings by great Renaissance
masters and by the leading architects in Britain in the 17th and 18th centuries
and his near contemporaries such as Sir William Chambers, Robert Adam and
George Dance the Younger. These drawings sit side by side with 9,000 drawings
in Soane’s own hand or those of the pupils in his office, covering his early
work as a student, his time in Italy and the drawings produced in the course of
his architectural practice from 1780 until the 1830s.
Browse (via the vertical menu to the left) and search results for Drawings include a mixture of
Concise catalogue records – drawn from an outline list of the collection – and
fuller records where drawings have been catalogued in more detail (an ongoing
process).
