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You are here: CollectionsOnline  /  [2] Copy of a design for widening Lothbury and the entrance of Coleman Street, by Samuel Acton, February 1825
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Reference number

SM 9/1/2

Purpose

[2] Copy of a design for widening Lothbury and the entrance of Coleman Street, by Samuel Acton, February 1825

Aspect

(upper case) Plan of the / West End / of / Lothbury / shewing the / proposed improvement

Scale

bar scale

Inscribed

as above and, some in upper case: (Copy), Cateaton Street, Old / Jewry, Coleman / Street, Lothbury, Princes / Street, proposed line of frontage, area (three times), Fronts of Houses as they now are, line of front of house as it now is, (Soane) Mr Acton's design No 1, the original sent to the / Gov: of the Bank - in 1825, & upon which see my Report 1825 April

Signed and dated

  • Samuel Acton / Sewers Office Guildhall / Feby 1825

Hand

Samuel Acton office and Soane

Notes

This is a copy of a design for expanding the west end of Lothbury to a width of 37 feet and curving the corner of Lothbury and Coleman Streets.

Samuel Acton (c.1773-1837) was the Surveyor to the Commissioners of Sewers for the City of London. He became a student at the Royal Academy in 1790 and won the Silver Medal in 1794. He also exhibited at the Royal Academy from 1791 to 1802. In 1822 he was the President of the Surveyor's Club (Colvin). The drawing dates from 1825 but the correspondence is dated April 1829, when the Bank was asked to review Acton's designs for widening and improving the west end of Lothbury. Acton met with the Directors to present the plans, as written on the attached letter 1a, and he and a Mr Carter visited Soane to discuss the plans, as documented in 1b-d.

Literature

H. Colvin, Biographical dictionary of British architects, 1600-1840, 4th ed., 2008

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

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Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.


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