[46] Design for the entrance building front, as built, 1825

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Sir John Soane office drawings: the drawings of Sir John Soane and the office of Sir John Soane
- Bank of England
  - Bank of England, City of London for the Governor and Company of the Bank of England, 1788-1834 (1356)
    - 1817-1833 Rebuilding of offices in the south-east and the façade, temporary office spaces and presentation drawings (221)
      - East, south and west façades, 1823-1828 (54)

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Reference number

SM 12/2/17

Purpose

[46] Design for the entrance building front, as built, 1825

Aspect

Elevation and two sections

Scale

bar scale

Inscribed

Design for completing the centre of the South Front of the Bank of England _ 1824 _ 1825

Signed and dated

probably February 1825 (see Notes)

Hand

Soane office

Watermark

James 1820

Notes

The rebuilt south wall of the entrance building retained the same fenestration as the original George Sampson building, with three arched doorways on Threadneedle Street and two levels of windows above. Fluted Corinthian columns span the building's width at ground level. The entablature has a Greek-key motif on the frieze and lion masks on the cornice. Above the second floor, a parapet is interrupted by pedestals with pedimented caps aligned with the panel pilasters and antefixes below. In photographs of the Bank from the 1920s, by Yerbury and Steele, finials are shown on the tops of the antefixes; these could have been added later by C.R. Cockerell (surveyor to the Bank, 1833-55), who altered the screen wall attic in 1858.

Literature

D. Watkin, Sir John Soane: englightenment thought and the Royal Academy lectures, 1996, pp. 150

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).