Ashburnham Place, Sussex, 1813-14

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George Dance office drawings: the drawings of George Dance the Elder and George Dance the Younger
- Country Houses (31)
  - Ashburnham Place, Sussex, 1813-14 (193). Survey drawings, alternative designs, designs and working drawings for alterations and additions, including the modelling of the principal front, a new staircase and for a garden bridge, for 3rd Earl Ashburnham

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Reference number

SM D2/2/5

Purpose

Ashburnham Place, Sussex, 1813-14

Aspect

[73] Elevation of Base of Turrets of Portal with (pencil) X cancellation

Scale

full size

Inscribed

as above and (pencil) Portal

Signed and dated

1813-14

Medium and dimensions

Pen, pencil, verso with white chalk for transfer on laid paper (665 x 855)

Hand

Dance

Watermark

D & C Blauw IV and D&CBxX in cartouche surmounted by fleur-de-lis

Notes

Most of the area above the plinth has been cancelled, that is, torus, scotia and other mouldings. However, on the evidence of the white chalk outline on the verso, the drawing was copied by a contractor.

Thomas Nuttall's account for stone quarrying and mason's work, 1812-17 include a bill for work not used, September 1813 to 1814 viz. 'To preparing Stone for the Portal Plinth which is now cased with Portland' (ASH 2805). Nuttall opened up a quarry at Beech Down and some of his work used this local sandstone.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).