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  • image SM D2/4/15

Reference number

SM D2/4/15

Purpose

Ashburnham Place, Sussex, 1813-14

Aspect

[69] Elevation and section of porte-cochere with a square window above a three-centred window with hood-mould and stops; alternative details of frieze, and full size details of coping and frieze (the same as [SM D2/2/3]

Scale

½ in to 1 ft and full size

Inscribed

dimensions given

Signed and dated

  • 1813-14

Medium and dimensions

Pen, raw umber and pink washes, pencil on wove paper (635 x 905)

Hand

Dance

Watermark

J Whatman 1811

Notes

The frieze consists of shields alternating with quatrefoil and rosette in square panels with alternative frieze detail of shields alternating with quatrefoil in lozenge within a square. The neck between buttress and capping has square, foliated rosettes on each of its eight faces. See also [SM D2/3/36] for full-size details of the square window.

Verso
full size elevation and profiles of lozenge with four circles and square foliated rosette ornament set in a square panel
Black and red pen, sepia and pink washes, pencil
Showing one and a half units of the repeating design, this could be for the balconies of the first floor (three units) or the pierced parapet above the centre five bays of the principal front (three and four units)

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.


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