[27] Site record drawing, 7 September 1816

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Sir John Soane office drawings: the drawings of Sir John Soane and the office of Sir John Soane
- Bank of England
  - Bank of England, City of London for the Governor and Company of the Bank of England, 1788-1834 (1356)
    - 1814-1816 Rebuilding of existing offices and proposals for rebuilding street fronts (118)
      - Office over the Reduced Annuity Office, 1816 (34)

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Reference number

SM volume 47/5

Purpose

[27] Site record drawing, 7 September 1816

Aspect

Plan of the underneath side of the / Beam shewing the nuts etc at K, elevation and detail of one of the supporting posts, with central iron tie rod

Inscribed

as above, labelled F, G, H, K (twice), I, W, Lead (three times), nut, (pencil) Queen Post and some dimensions given

Signed and dated

September 7^th, 1816

Hand

Soane office

Notes

This drawing shows the joist beam in-between the angle at the end of the structure and the queen post - the letters labelled correspond to those on SM volume 47/1. Again, iron tie rods are shown securing the beams to each other and the mortise/tenon joint is outlined. Lead is labelled on all the mortise/tenon joints, and was presumably used as an adhesive in this context.

There is some inconsistency in the labelling of this drawing and SM volume 47/4: the former is labelled in pencil as a 'queen post' and the latter 'The King Post'. The parts that the labels refer to are clearly a supporting joist and a queen post respectively however. As the inscription is in pencil and in a different hand to the rest of the handwriting shown on the drawings, it might be that the labels were added erroneously at a later date, possibly by a pupil.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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