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  • image SM D2/2/29

Reference number

SM D2/2/29

Purpose

Ashburnham Place, Sussex, 1813-14

Aspect

[53] Preliminary elevation of round fruits arranged pyramidally supported by leaves

Scale

full size?

Inscribed

labelled wire, cast with / the Head, gruir (? four times), Face of the board, The leaf is to be cast with a lump / at the back to go into this / duftail [dovetail] and three (mostly illegible pencil) notes (centre) These beads to be rise as high as / the scored line by adding an / Extra course of the large beads out / of the Wax mould at the / Bottom of the other beads that / is cast together, another note (top right hand side) begins Get the mould [illegible] one of the pieces / cast [illegible] and another (bottom of sheet) Put some [illegible] and sand in these / Ornaments to [illegible]

Signed and dated

  • 1813-14

Medium and dimensions

Pen, pencil, partly pricked for transfer on laid paper (480 x 675)

Hand

Dance, Bernasconi

Watermark

D & C Blauw and fleur-de-lis in crowned cartouche and WR below

Notes

This is probably related to the fruit and vase finial shown on [SM D3/14/28]. Most of the drawing is in Dance's hand and Bernasconi the stuccoist has added notes on how the 'beads', presumably grapes, and the supporting vase of leaf forms are to be cast.

Bernasconi's bill for 1815 includes '16 Ornaments on tops of Turrets 22In high / 20In Diameter consisting of Antique / leaves with projecting perforated Tops & rich Center' (ASH 2838) and presumably refers to this design though the overall height and width is 15¾ by 17¾ inches and drawing [SM D3/14/29] is marked 1.6 (18 inches) high and 2-0 (24 inches) wide.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.


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