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  • image SM volume 70/2

Reference number

SM volume 70/2

Purpose

[7] Site progress drawing for the new passage

Aspect

Interior perspective of arch within passage under construction, taken on the line A B of SM volume 70/1

Scale

to scale

Inscribed

as above, a key of A bar of iron over arch, stone (three times), dimensions given

Signed and dated

  • datable to late 1814 (see note below)

Hand

Soane office

Notes

Due to the extension of the Treasury and the pre-existing structure of the vestibule, the new passage was a tight space and driven diagonally between the Treasury and Three Per Cent Office into the semicircular alcove in the south west corner of the Rotunda.

SM volume 70/9, SM volume 70/8, SM volume 70/11, SM volume 70/14 and SM volume 70/13 show the point at which the passage turns at a forty-five degree angle. The views show the structure to be built of brick and stone with arches leading the passage into the diagonal route. The original vestibule could not be knocked down completely because it was integrated with other buildings. Thus, the diagonal passage had to be built by breaking through the existing masonry and brickwork of the south west corner of the Rotunda.

The drawings are in an octavo sketchbook inscribed on the first page; Sketches of the New Entrance / to the Rotunda at the Bank / from the Pay Hall Court / made during the progress of / the Works in the year 1814-1815. The drawings seem to be ordered chronologically within the volume which means this drawing, SM volume 70/7, SM volume 70/1, SM volume 70/9 and SM volume 70/8 can be dated to late 1814 as they appear before SM volume 70/11 dated Decr 23rd 1814.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.


Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).